Translation and Plurisemiotic Practices

JoSTrans Issue 35 – January 2021

Guest edited by Francis Mus and Sarah Neelsen

https://jostrans.org/issue35/issue35_toc.php

GUEST EDITOR INTRODUCTIONS
Francis Mus “Translation and plurisemiotic practices: A brief history Traduction et pratiques plurisémiotiques. Un bref parcours historique” [abstract]	2-16
Sarah Neelsen “What is a plurisemiotic work in translation? Qu’est-ce qu’un objet plurisémiotique en traduction ?” [abstract]	17-44
ARTICLES
Lucile Desblache Live music and translation: The case of performances involving singing [abstract]	45-68
Nina Reviers, Hanne Roofthooft, Aline Remael Translating multisemiotic texts: The case of audio introductions for the performing arts [abstract]	69-95
Yves Gambier, Saulė Juzelėnienė, Saulé Petroniené Traduction et pratiques pluri-sémiotiques : exemples de peintures murals [abstract]	96-121
Kerstin Hausbei Traduire le théâtre vers des genres non-verbaux du spectacle vivant : Nestroy comme mimodrame et ballet-pantomime [abstract]	122-143
Ayelet Kohn and Rachel Weissbrod “Pravda” in the museum: Zoya Cherkassky’s exhibition as a case of cultural (self) translation [abstract]	144-165
Vanessa Montesi Translating paintings into dance: Marie Chouinard’s The Garden of Earthly Delights and the challenges posed to a verbal-based concept of translation [abstract]	166-185
Thora Tenbrink and Kate Lawrence “Omnibus”: A cross-modal experience between translation and adaptation [abstract]	186-208
Hao Lin Translation or creation? A case study of signed Chinese poetry from the perspective of multimodality theory [abstract]	209-230